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"What are you doing, you're just a kid?" "I steal, I kill, I carry a gun, how can I be just a kid? I am a man."
The Opening Sequence- Most Amazing!
The one thing that stands out so well in City of God is the photography, narration and above all razor sharp MTV style editing that flaws most films with their own styles. Fernando Meirelles really does ram this film home and paints a really bleak image of Brazil the world is none to familiar with. Among many things that amazed me-
- The cinematography is some of the best I have ever seen- with a very visceral, jerky feel, very reminiscent of Saving Private Ryan.
- The editing is a kinetic amalgamation of the old styles, and bringing them up to date with the most flashy and modern hip hop styles.
- I've never seen such amazing character building in such a short time. Especially that of Knockout Ned, it took a mere 10 mins to bring this character from the nowhere to the lead.
- The very first scene of the film, especially tracking the hen from top followed by the most daring jump cut sequence ever!
- The football, the music, the heady culture of samba and carnival joie de vivre that never looses its charm. Its Brazil's answer to The Godfather.
- Screenplay has never been this good. The way it involves the viewer is an amazing craftswork. You tend to forget that you're watching a Brazilian film. Subtitles fade away as you gasp and close your eyes to this fast paced roller coaster ride!
Well, if you ask me, a gangster film never looked this good. It is as if the camera is released in the wide open beaches, and kicked around like one of Ronaldinho's headers. It starts on the sand and moves steadily across. It picks up on the story but then heads into the sun. It then leaves us, in a journey you'll never forget.
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